Der Mensch
erscheint im Holozän

© Eike Walkenhorst


A visual poem after Max Frisch
Staging: Alexander Giesche


Invited to 57. Berliner Theatertreffen
​3sat award winner
Nestroy Prize Winner: Best German Performance

A mountain slides and someone loses their memory. Such is the reduced framework of Max Frisch's story Der Mensch erscheint im Holozän, which was published 40 years ago. Both, the protagonist Herr Geiser and the mountain gently drift into oblivion. The catastrophe lasts and beauty can be found in it. Under an almost tender gaze, the human being and dementia sufferer Mr. Geiser disappears in the narrative - and instead of the earth's mass, a self is slowly eroding here. Alexander Giesche's staging, which oscillates in its aesthetics between the virtual and the analog, between simulation and the all too real, makes the beauty of a catastrophe and its potential for healing palpable. And it poses the question of whether recognizing one's own finiteness might not also facilitate a new beginning.


Alexander Giesche
Set Design
Nadia Fistarol
Luis August Krawen
Felix Lübkemann
Ludwig Abraham
Frank Bittermann
Joshua Wicke
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Audience Development
Philine Erni
Drama Teacher
Patrick Oes
Drama teacher assistant
Nadir Ak
Costume assistant
Ulf Brauner
Set design assistant
Marie Hartung
Production assistant
Natascha Zander
Extra (Children)
Benjamin Bubica, Rosa Curi, Alexia Finocchiaro-Piu, Julia Kalberer, Matti Kramer, Cara Stäger
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Supported by Ars Rhenia
Mit Dank an Stone Island

For the duration of the pandemic, we will also publish the introductions as podcasts on the respective play pages and on our Soundcloud-Account.

Saturday 05.12. 20:00 - 21:50 Pfauen
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Monday 07.12. 20:00 - 21:50 Pfauen
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