Orest in Mossul

Orest in Mossul

Staging: Milo Rau & Ensemble

After: Aischylos

Zürich-Premiere: 5. October 2019

Milo Rau, the artistic director of the NTGent, had the idea of staging a present-day version of Aeschylus’ Oresteia while he was conducting research for his play Empire in 2016 in northern Iraq on the frontline facing ISIS. “It is as if you were in a television scene and in a classical epic at the same time”, as Rau puts it. How is it possible to stop the never-ending chain of violence in which the parties of the Syrian-Iraqi civil war and their Western allies find themselves? In the first two parts of Aeschylus’ Oresteia there appears to be no way out. The only one who can stop this violence is Athena: she calms down the goddesses of vengeance by allotting them a place in society. Where hate has not helped, the loving embrace now succeeds. 
Milo Rau retains the ancient grandeur of the tragedy, but links it to present-day issues, with an international ensemble. What can the Oresteia mean today, rehearsed and staged in Western Europe and in Mosul? Orestes in Mosul by Milo Rau will be the first NTGent production to be presented at the Schauspielhaus Zürich, in what we hope will be a long-term collaboration between our two theatres.

©Fred Debrock

©Fred Debrock

©Fred Debrock

©Fred Debrock

©Fred Debrock

Duraid Abbas Ghaieb
With
Susana AbdulMajid
With
Elsie de Brauw
With
Risto Kübar
With
Johan Leysen
With
Bert Luppes
With
Marijke Pinoy
With
Staging
Set Design
ruimtevaarders
Dramaturgy
Stefan Bläske
Film
Daniel Demoustier, Moritz von Dungern
Cut
Joris Vertenten
Costume
An De Mol
Light design
Dennis Diels
Composition and arrangement
Saskia Venegas Aernouts
Audience Developer

©NTGent

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