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Heartship

by Caren Jeß
Commissioned work for the Schauspielhaus Zürich
directed by EBRU TARTICI BORCHERS

 

«I’m not letting the decline of society rain on my parade. I want this life. Hot!»

At Heartship, the bar, on stage, Ann sees Sara for the first time. The last Thursday of every month, Sara performs her feminist stand-up set there. Laughs, screams, rebels. Ann is an ophthalmologist. Both are around 40, get through their days of wage labor, the pretense of self-optimization, and the hope, despite the rollercoaster, to be able to live meaningfully and well. With sensitivity and absurd humor, Caren Jeß’s new piece portrays the friendship forming between them, or a great romantic love (At what point is this decided? Is there a word for every relationship?).

This premiere’s multiple award-winning author (Theater heute Young Playwright of the Year and the 2023 Mülheimer Dramatikpreis) is known for her original, highly musical plays that examine social relations from uncommon angles.

*For a clear view of the surtitles, we recommend that you book seats in row 7 or higher. The box office staff will be happy to advise you.*

events

Fri
24.1.25
World premiere

Opening Night Celebration at the Foyer

Mon
27.1.25
Theatre Monday: all tickets 50%
English Surtitles, For a clear view of the surtitles, we recommend that you book seats in row 7 or higher. The box office staff will be happy to advise you.
Thur
30.1.25

6:30pm Introduction

English Surtitles, For a clear view of the surtitles, we recommend that you book seats in row 7 or higher. The box office staff will be happy to advise you.
Mon
3.2.25
Theatre Monday: all tickets 50%
English Surtitles, For a clear view of the surtitles, we recommend that you book seats in row 7 or higher. The box office staff will be happy to advise you.
Wed
5.2.25
English Surtitles, For a clear view of the surtitles, we recommend that you book seats in row 7 or higher. The box office staff will be happy to advise you.
Fri
7.2.25

followed by a discussion

English Surtitles, For a clear view of the surtitles, we recommend that you book seats in row 7 or higher. The box office staff will be happy to advise you.
Sun
9.2.25
English Surtitles, For a clear view of the surtitles, we recommend that you book seats in row 7 or higher. The box office staff will be happy to advise you.
Tue
11.2.25

6.30 p.m. Introduction in the foyer

English Surtitles, For a clear view of the surtitles, we recommend that you book seats in row 7 or higher. The box office staff will be happy to advise you.
Wed
12.2.25

6.30 p.m. introduction in English

English Surtitles, For a clear view of the surtitles, we recommend that you book seats in row 7 or higher. The box office staff will be happy to advise you.
Mon
17.2.25
Theatre Monday: all tickets 50%
English Surtitles, For a clear view of the surtitles, we recommend that you book seats in row 7 or higher. The box office staff will be happy to advise you.
Tue
18.2.25
For the last time

18.30 Introduction

English Surtitles, For a clear view of the surtitles, we recommend that you book seats in row 7 or higher. The box office staff will be happy to advise you.
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Cast and Team

Ann
Alicia
Aumüller
Sara
Katrin
Wichmann
Set and costume design
Light
Carsten Schmidt
Dramaturgy
Director's assistant
Stage design assistance
Lenki Behm
Costume design assistance
Lina Sofie Staudinger
Assistant directing intern
Vivienne Vogt
Costume design intern
Jana Knecht
Stage manager
Eva Willenegger
Soufflage
János Stefan Buchwardt
Surtitle coordination
Sinikka Weber
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Content Note

There are content and sensory trigger warnings for this production. You can find out which ones in the overview.

Commissioned by Schauspielhaus Zürich

Supported by K.S. Fischer Stiftung Hamburg 

Gallery

© Sabina Bösch

© Sabina Bösch

© Sabina Bösch

© Sabina Bösch

© Sabina Bösch

© Sabina Bösch

© Sabina Bösch

© Sabina Bösch

© Sabina Bösch

© Sabina Bösch

© Sabina Bösch

© Sabina Bösch